RØDECaster graduates to palindromic 2.1.2 with free firmware update
Frequent readers know that I have been covering (and using) the 48-kHz exclusive RØDECaster Pro audio mixer/recorder/virtual cart player...
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Understanding Ecamm Live’s framerates and audio sampling
Although I first reviewed Ecamm Live in March 2020 and later have covered it in countless articles in ProVideo...
Review: Blackmagic Web Presenter HD streaming encoder + shyness fixer
This is my review on Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder. Who needs...
RØDE Connect software is almost a free RØDECaster Pro
Our unstoppable friends from Australia seem to innovate 24×7. RØDE just released a simple yet extremely powerful software program...
First look preview: Blackmagic Web Presenter HD streaming encoder + shyness fixer
This is my first-look preview article about Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder....
First look: RØDE Wireless Go II dual microphone/recorder system
This is my first-look article about the brand new RØDE Wireless Go II dual microphone/recorder system. I already received...
Átomos Shinobi review: a camera shyness instrument and much more
Frequent readers know that I have been covering —and taming— camera shyness for several years, and that I have...
Sony ZV-1 camera framerate shyness + outgoing modes via HDMI & USB
The Sony ZV-1 camera/camcorder/streamcorder is quite intriguing and has been covered in many reviews by many tech journalists. However,...
Review: LucidLink cloud-based media for video editing and post-production
When I was at NAB New York back in the fall of 2019 the world was a different place....
The End of 2020 and the Beginning of 2021 in Production and Post – PVC Roundtable Discussion
We detailed how filmmakers should approach work in the midst of COVID-19 and what it means to stay safe...
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