Art of the Frame with editors of Zombie House Flipping
In this latest “print” edition of my episodes of PVC’s Art of the Frame podcast we’re back talking unscripted...
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Review: 16-inch Apple MacBook Pro M1 Max for video editors – Part 1
I was excited to take delivery of the newly announced MacBook Pro M1 Max last week for some post-production-related...
New MacBook Pros, new M1 Pro and M1 Max chips and Final Cut Pro 10.6 in today’s Apple Event
It was a big Apple day for pro users after today’s Apple Event as the long rumored and redesigned...
Art of the Frame with Chancler Haynes as we talk music videos, commercials and film
Here’s another “print” edition of PVC’s Art of the Frame podcast. This chat is with Chancler Haynes who is...
Crossing the 180 with “We Are Lady Parts” DP Diana Olifrova
Peacock TV’s “We Are Lady Parts” is a hilarious, touching, and uplifting comedy with a “Scott Pilgrim vs. the...
An Art of the Frame interview with editors of LEGO MASTERS
This is the “print” version of my chat with Sara Scotti and Karl Kimbrough, both editors on Fox’s LEGO...
Artlist acquires HitFilm and CamTrackAR creator FXhome
The acquisition of FXhome, announced this month, helps position Artlist alongside companies like Adobe, says Artlist’s co-founder and co-CEO,...
Canon and IBM: using volumetric video to promote visual arts
A performance of the Noh play Lady Aoi, directed by the Hoshokai, is the inaugural project for Canon and...
Audio Finishing using Roles in Final Cut Pro
How do you work with audio in your NLE when it doesn’t have tracks or a mixer? This week...
Interview with live television editor Mark Stepp – An Art of the Frame podcast
When it came time to relaunch the PVC Art of the Frame podcast I thought about how I wanted...
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Exploring the extremes of dynamic range
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