RØDE SC6-L: a game-changer for compact 2-track recording on iOS devices
Although I have not yet received a review unit, I can already feel that RØDE’s recently announced US$79 RØDE...
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RØDE Connect
Hybrid review: RØDE M5 microphone with a “foreign” accessory for voice/vocal
There are many reviews of the Australian RØDE M5 microphone, but all for instrumental or choral applications. That’s why...
Review: RØDE AI–1 interface—preamp and A-to-D/D-to-A converter
As promised after teasing it in my recent RØDE NT1 microphone review, here is the RØDE AI–1 interface—preamp and...
Review: RØDE NT1 studio microphone, shockmount and pop filter
Here is my review of the black-colored, high-end RØDE NT1 analog electret condenser studio microphone, together with its matching...
Review: RØDE VXLR+ phantom power to plugin power converter
Since the dawn of microphones, there have been two greatly different types of signals: balanced and unbalanced. Since the...
Review: RØDE improves VideoMic Pro+ with several new features
For many years, I have been reviewing several different types of microphones. However, this is the very first time...
ModMic 5 and RØDE HS2: comparing two head microphones
For many years, I have been intrigued with microphones, and one particular type is the head mounted variety. Few...
Review: RØDE i-XLR and RØDE Reporter app
i-XLR is an ideal bridge from a single XLR balanced microphone or other mono audio source to an iOS...
Review: RØDE Reporter dynamic interview microphone
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to connect...
First look: i-XLR from RØDE is much better than it first seemed
At IBC in Amsterdam, RØDE announced its new i-XLR plug-in preamp/A-to-D converter for iOS devices like the more recent...
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