How to do your audio setup for a live TV studio
Recently, I proposed the topic of how to do the audio setup for a live TV show to our...
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Blackmagic announces Video Assist recorder/monitor at NAB
At NAB in Las Vegas, Blackmagic announced its new Video Assist monitor/recorder. Blackmagic’s new device is clearly aimed to...
Why your character generator is your brand
The quality of your character generator is as important for your overall look as your cameras, set design, or...
In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800
Staff/HDTV in Guatemala really wanted to record pure progressive 1080/29.97p for its multi-camera TV shoots. They strongly considered NewTek’s...
Video framerates and the Tower of Babel: a translation guide
What does “24p” or “30p” mean when a manufacturer states it? How can we tell if —and when— they...
AJA converts PsF-to-progressive with new Hi5-Plus converter
At its press conference at NAB, AJA launched its new US$395 Hi5-Plus converter which —in addition to converting from...
It’s a calibrated 709 field monitor! No, a 10-bit 4:2:2 recorder! It’s Ninja Blade or Samurai Blade!
It isn’t easy to decide whether to call Átomos’s Samurai Blade or new Ninja Blade (just released this morning...
The AW-HE2 could be a gem with a simple firmware update, if Panasonic “got it”
As I wrote in my “first look” back in July, the US$995 AW-HE2 is not a camcorder, but an...
Blackmagic adds 1080p to new ATEM 4K US$1995 a/v mixer
At NAB 2013, Blackmagic announced its new US$1995 ATEM Production Studio 4K audio/video mixer (“switcher”), which joins other ATEM...
Why you should use Japanese NTSC with a TriCaster 40 if you use SD cameras
Whether or not you enjoy Sushi or other Japanese food (as I do), you are best served by using...
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