Why FCP X’s secondary monitor should be 1920×1200, not 1920×1080
While the jury is still out as to whether we can actually trust a calibrated Rec.709 or sRGB monitor...
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art of the cut podcast
Review: Roland OCTA-CAPTURE 8/10-channel USB 2.0 audio interface
Many of the affordable pro audio interfaces that are available on the market have a maximum of two balanced...
Attend the FCPX Now What? Event
Are you in Burbank on Thursday August 18, 2011 at 7pm without anything to do? Do you care enough...
Adobe & Avid attract FCP-defectors with special discounts
When I began publishing my FCP-exodus articles last year, even some other ProVideo Coalition magazine writers thought and commented...
Adobe Premiere Pro CS 5.5 brings better handling of medium framerate videos recorded as PsF
You may have noticed that even many late model AVCHD cameras shoot medium framerate progressive video (i.e. 1080/25p and...
Izzy Video produces free 2:39 FCP X video tutorial
Our colleague Israel (“Izzy”) Hyman of Izzy Video has produced and published a free 2:39 Final Cut Pro X...
Apple publishes urgently needed FCP X FAQ
Apple has just published the following FAQ for FXP X, in which the company answers previously unanswered questions and...
PluralEyes for FCP X: a public statement from the creator Singular Software
The creator of PluralEyes, Singular Software, has received lots of questions about PluralEyes and Final Cut Pro X. There...
How to pick Mac video editing software after the FCP X launch
After the launch of FCP X 1.0, Mac users can finally analyze which video editing software to choose depending...
Untapped features in Sony NXCAM’s new HDMI output
Sony’s latest NXCAM cameras fortunately feature unprecedented new features with their live HDMI outputs, including uncompressed 1080p at 50p...
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