NAB-AT-HOME 2020: Hedge and Postlab
Hedge and Postlab were always in the South Hall Lower. One thing I love about NAB is walking the...
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NAB-AT-HOME 2020: Adobe Premiere Pro and the new Productions workflow
Since we’re not at NAB we thought we could continue our usual NAB chats with various vendors about what...
How to: Easy remote editing and collaboration with identical hard drives
There is, without a doubt, more interest and movement today about true remote editing than has ever happened before...
Postlab adds support for Adobe Premiere Pro
Many of you out there have probably heard of Postlab, the MacOS based collaboration utility for video editing and...
Hiring and Being Hired as a Subcontractor
As someone who’s been on both sides of that table, I’ve been able to glean quite a bit of...
Remote collaboration using Nextcloud
For the boutique studio looking for a way to collaborate on media projects from home, Nextcloud could be just...
Working Remotely With Adobe
As one of the largest and most diversified software companies in the world, Adobe empowers everyone—from students, creative artists,...
After Effects & Performance. Part 8: Multiprocessing (kinda sorta)
When is multiprocessing not multiprocessing? When it’s rendering multiple frames simultaneously. In part 8 we’re going to have a...
Productions: a new workflow coming to Adobe Premiere Pro
This is an unexpected little Adobe Premiere Pro related news drop that comes right out of the Sundance Film...
ART OF THE CUT with “Terminator: Dark Fate” editor Julian Clarke, ACE
Julian Clarke, ACE was nominated for a BAFTA, an ACE Eddie and an Oscar for his editing of District...
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