Is your camera WorldCam & CineCam too?
In past articles, I have praised the benefits of WorldCams, especially for independent producers and camera operators. Unlike with...
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Useful Tools for Editors – Back to School Edition
It’s that time of year where the kids are once again getting up earlier than they want, breakfasts are...
Leica V-Lux 5: a superzoom camera for explorers and traveling video shooters
The luminous 25 to 400mm zoom lens (equivalent to 35mm) f/2.8–4 ASPH on the new Leica V-Lux 5 makes...
Panasonic announces new 1.4x and 2x teleconverters for LUMIX S lenses
Transform the LUMIX S PRO 70-200mm F4 O.I.S. in a 400mm lens through the magic of the new DMW-STC14...
Panasonic LUMIX GX880: an interesting entry-level Micro Four Thirds camera
The LUMIX GX880, now announced in Europe, is a new MFT interchangeable lens system camera from Panasonic, able to...
FiLMiC Pro framerates: VFR status & workflow reaffirmed at NAB 2019
At NAB 2019, I asked the lead programmers at FiLMiC Pro whether the VFR (variable frame rate) recording situation...
Datavideo announced NVS-33 H.264 streaming encoder/recorder
At NAB 2019, Datavideo announced the NVS-33, an H.264 standalone streaming encoder and recorder. The NVS-33 has HD-SDI and...
Canon at NAB: five 4K UHD camcorders, two broadcast lenses and more
The new 4K UHD camcorders for professional and advanced shooters introduced by Canon at NAB 2019 and the new...
Panasonic LUMIX S1 gets V-Log as the EVA1 with a paid software upgrade
Panasonic has not disclosed the price yet, but next July the Panasonic S1 mirrorless camera will get V-Log like...
Fujifilm X-T30: the little GIANT is ready for full-scale video production
Designed, says Fujifilm, to meet the needs of full-scale video production, the newest APS-C sensor camera of the X...
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