Don’t Let LEDs Ruin Your Shoot
We often talk about how important it is to get your exposures correct, and rightly so; correct exposure is...
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The End of 2020 and the Beginning of 2021 in Production and Post – PVC Roundtable Discussion
We detailed how filmmakers should approach work in the midst of COVID-19 and what it means to stay safe...
Super35 or Full Frame? // C300mkIII & C500mkII Comparison
Recently I was given the opportunity to review the C300mkIII, Canon’s newest cinema camera. The C300 comes in hot...
The End of the Odyssey
Convergent Design sent out this email today: Dear Valued Dealers and Customers, After careful consideration, Convergent Design has decided...
ARRI’s Alexa celebrates it’s 10th Birthday
ARRI’s groundbreaking ALEXA camera has gone through many iterations in the 10 years since it first appeared in Chicago....
NAB-AT-HOME: 2020 ARRI Signature Primes and Image Manipulation
The ARRI Signature Primes exemplify top of the line optical precision while also retaining an organic, emotionally engaging image....
Large Format Shootout // Mini LF, C500mkII, FX9, VENICE
Ever since I took ownership of my C500mkII I’ve been asked over and over how it stacks up against...
NAB Coverage Plans From PVC
NAB Canceled. Everyone stuck inside their homes. One-on-one meetings canceled. It is a helluva time to try to deliver...
This week: ARRI at Koerner Camera in Seattle and Portland
Technical Sales Rep Chase Hagen and I will be showing off the Alexa Mini LF and ARRI Signature Primes...
Cine Gear Atlanta 2019
In 2018, when the venerable Cine Gear show we all know and love in Los Angeles, decided to venture...
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