Blackmagic adds 1080p to new ATEM 4K US$1995 a/v mixer
At NAB 2013, Blackmagic announced its new US$1995 ATEM Production Studio 4K audio/video mixer (“switcher”), which joins other ATEM...
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Canon XA20 and XA25 take key steps towards Beyond AVCHD
Earlier this week I published the Beyond AVCHD Manifesto. Simultaneously, I mentioned that the Canon XA20 and XA25 are...
Canon answers most of Tépper’s questions about XA20/XA25
Recently, I sent a list of questions to Canon’s public relations department about the new XA20 and XA25 cameras....
Sony NX30: currently best in its class, yet improvable
Thanks to Miami dealer and rental house Midtown Video and later to PRODU.com, I had a brief opportunity to...
Beyond AVCHD: a proposed new standard for AVCHD cam manufacturers
Back in November 2011, I published an Open Letter to professional AVCHD camera manufacturers. In that Open Letter, I...
Pro video seminars in Bogotá, Colombia on May 20, 2013
On May 20, 2013, attendees of Allan Tépper’s Bogotá, Colombia seminars will learn about: Cameras, Internet TV & progressive...
Canon’s new XA20 and XA25 cameras fulfill wishes from my Open Letter to pro AVCHD cam manufacturers
Back in November 2011 (17 months ago) I published an Open Letter to pro AVCHD camera manufacturers. With their...
NAB 2013: Matrox shows standalone streamer/recorder appliance
Aimed to connect to existing video mixers (“switchers”) which don’t already have streaming capabilities (or to connect to a...
How to pick your ideal HDMI or HD-SDI interface for WireCast (Pro)
UPDATED: This article now updated info. Many people have heard of Telestream’s renowned WireCast (Pro) software, which can convert...
OLED field monitor upgradable to become a recorder? Enter the Odyssey7 and Odyssey7Q
Long time ProVideo Coalition readers know that I have been covering external progressive 4:2:2 and 4:4:4 recorders from different...
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