Unleash Spreaker Studio’s hidden power
Spreaker Studio for desktop (Mac/Windows) packs a lot of power, allowing multiple local mic inputs, virtual carts, ducking and...
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allan hindenburg
Review: Simply Sound SS-1 pre-preamp, like elevator shoes for dynamic mics
This is a review of the SS-1 pre-preamp from The Simply Sound Company from Salt Lake City (Utah, United...
Tascam US–2X2 preamp/A-D converter interface review
The Tascam US-2×2 is an audio interface which offers two mic preamps/A-D & D-A converters. Those two mic preamps...
Chromebook/ChromeOS audio production: a maturing platform
In several past articles, I have reviewed and provided workflows for Auphonic (the apps), Cleanfeed Pro and Hindenburg Journalist...
Review: Zoom SSH-6 (stereo) shotgun microphone for in-field interviews and more
This article review is mostly about the Zoom SSH-6 (stereo) shotgun microphone (with mono mode), and partially about the...
BeyondPodcasting: James Cridland, international issues, Google Podcasts + much more
On BeyondPodcasting episode 5, Allan Tépper converses with James Cridland, Radio futurologist and editor of Podnews.net, aka “the James...
BeyondPodcasting 4: Adobe Project Rush, LumaFusion & more with Cielo de la Paz
On BeyondPodcasting episode 4, Allan Tépper converses with Cielo de la Paz (in English) about Adobe’s new Project Rush...
BeyondPodcasting 3: Audio plugins + more, with Chris Curran
In BeyondPodcasting episode 3, Allan Tépper discusses audio plugins and more with Chris Curran of Podcast Engineering School. Ahead...
LUFS audio standards update for May 2018
Since I published How many LUFS for ideal audio loudness? Why can’t we be friends? in March, both Adobe...
How many LUFS for ideal audio loudness? Why can’t we be friends?
The recent audio loudness war reminds me of the 1975 hit song Why can’t we be friends?. As I...
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Exploring the extremes of dynamic range
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