Why does FCP X still deal with pro i/o interfaces haphazardly?
Since Apple released Final Cut Pro X in June 2011, there have been seven updates and many valuable features...
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Hands-on with the UltraStudio Mini Monitor
Although I have covered Blackmagic’s new US$145 UltraStudio Mini Monitor interface in prior articles (links ahead), I have now...
Sony KDL–40BX420E: a low cost monitor for 1080p video editing at worldwide framerates
When Miami-based PRODU.com set out to choose the key components for a new video editing system, they already knew...
Livestream shows its Broadcaster LTE for Verizon
At CES 2013, Livestream has shown its new Broadcaster LTE for Verizon, to facilitate sending the live audio/video output...
Streamstar announces Webcast Case and Webcast System
Straight from Bratislava, the capital city of Slovakia in Europe, Streamstar has announced two new products for live web...
Pro video seminars in Bogotá, Colombia on November 13, 2012
Allan T©pper will present on three hot video pro topics on November 13, 2012 in Bogotá, Colombia, South America....
The H2S makes self-sabotaged HDMI cameras work as they should in a progressive multicam environment
If you previously read my first look at the Connect H2S from Átomos, consider this article to be a...
T-TAP Thunderbolt out-only interface: the details in general + with a DreamColor monitor
Back in April 2012 at NAB in Las Vegas , the USA-based AJA first announced and showed their US$295...
Native progressive video from HDMI cameras for live studio production? Átomos now makes it possible
In prior articles, I have covered both the challenges and solutions for getting true native progressive video from HDMI...
Record progressive 4:2:2 or beyond from your HDMI camera with an external recorder
Many owners of HDMI cameras would like to record their progressive HD video externally at better quality than what’s...
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