I do a lot of DCP work in After Effects, and .J2C (JPEG 2000) is the format of choice....

For Amazon, October is independent author month (#PoweredByIndie and #PublicaConKindle). I am honored that Amazon decided to feature one...

In October 2015, during the SMPTE’s Annual Technology Conference and Exhibition, the hot themes discussed were UHD, HDR, and...

There has been an age old debate going on in the post production world, and no, I’m not talking...

Chris Lebenzon, ACE has such an extensive filmography of huge movies, it’s hard to know which ones to include...

I am again honored to be among the first tech consultants/journalists to receive another innovative product from IK Multimedia...

If you haven’t read any of my detailed articles about Hindenburg Journalist and Hindenburg Journalist PRO audio editing software,...

I did a webinar for Moviola on Affordable Anamorphic Adapters today; it’s available for replay at Moviola. Here are the intro notes,...

One year after the launch of PowerDirector 14, presented as “extreme editing”, Cyberlink takes the program a step further,...

John Refoua has nearly 30 editing credits going back to the early 1990s, starting with TV including “Law and...

The Arc/k Project, a new nonprofit focused on digital preservation, plans to create 3-dimensional records of the world’s most...

Three months after the official acquisition of the majority of Sony Creative Software products, MAGIX is releasing VEGAS Pro...

https://www.youtube.com/watch?v=ruya83kEb5s&feature=youtu.be&a This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can work with vector...

In this lesson, Kevin P McAuliffe wraps up his talk on transitions by talking about Matte Key transitions in...