Now available, Avid and NUKE free plugins allow color grade to be imposed in real time; simple upgrade to...

Connected clips in Final Cut Pro X are anchored to a clip in the primary storyline via a connection...

Today’s Art of the Cut interview is with editor Jake Roberts, who, along with director John Crowley, sculpted “Brooklyn”...

BCC 10 is the biggest step forward for visual effects in your Media Composer NLE in the last 10...

Part 2 of Steve Martin’s excellent tutorial on creating beautiful 3D text in Final Cut Pro X. Miss part...

4K is as hot of a topic as it’s ever been, but the challenges that are inherent with this...

Subscription models have changed the way users across the industry expect to access and utilize their software. Not too...

Many video editors turn to an audio professional to mix and sweeten their audio after picture lock. Or they...

As we’ve said many times, After Effects is not an NLE – but often, it’s easier to keep everything...

The way in which technology has and continues to change how film and TV professionals work is a topic...

On the last installment of this Long Term Test of the Dell Precision M3800 we looked mainly at the...

Glitchify for After Effects + Glitchify sounds, from Mikey Borup and Cinema Spice, joins a growing number of tools...

This is a deep-dive of “Art of the Cut” editing wisdom from Joe Walker. I first spoke to Joe...

We’ve showcased how many review and approval options are available for video pros, but Wipster’s solution is one that...