After Effects Hidden Gems Weekly: Wiggle Paths
Media Composer 101 – ADVANCED – Archiving Your Projects Part 2 – Media Mover
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at a...
Final Cut Pro X and AVCHD media
This week on MacBreak Studio, Steve Martin from Ripple Training tells us all about how to work with AVCHD...
Creative Cloud video updates at IBC 2015
Adobe has revealed updates to its pro video apps in Creative Cloud, though a specific release date was not...
Effectively translating your editing timeline from FCPX into After Effects
Some of the most innovate products to come out over the past few years have stemmed from user saying,...
The ABCs of Sound Part II
In our last post on sound design terminology, we looked at the lesser-known and sometimes amusing names for common...
The return of Automatic Duck: FCPX to After Effects and Media Copy
If you’ve been working in this business for awhile you’ll most likely have fond memories of Automatic Duck. The...
Adobe Premiere CC to add HDR & HEVC (H.265)
At IBC in Amsterdam, Adobe has announced that they will soon be adding initial support for HDR (High Dynamic...
Adobe Premiere & Audition to add loudness standards
At IBC in Amsterdam, Adobe has announced that they will soon be adding support for the new perceived audio...
FCP X 10.2.2/Pro XAVC Long GOP compatibility bulletin 2015.2
Users of Sony’s PXW-X70 camcorder and Final Cut Pro X can now rejoice, since FCP X 10.2.2 finally brings...
The aftermath of the film vs video debate – A PVC Roundtable Discussion
You don’t often see articles like these anymore, where a famous filmmaker or cinematographer explains their decision to move...
What makes Sony Vegas Pro a fit for your workflow or post-production environment?
We’ve talked with the people at Sony creative Software about their offerings before, and it’s always great to find...
Art of the Cut with Eddie Hamilton of Mission: Impossible – Rogue Nation
Eddie Hamilton’s list of credits is envious, starting with feature film editing credits in 1998 and kicking into high...
Optimizing media in DaVinci Resolve 12
In this episode Alexis Van Hurkman walk through how to optimize your media for better playback performance in DaVinci...
Tracking color corrections in Final Cut Pro X
This week on MacBreak Studio, Sam Mestman (FCPWorks, LumaForge, WeMakeMovies) returns and shows us a very powerful tip for...