Xiaomi Film Festival 2022: three days of mobile filmmaking
The new GeForce RTX 40 graphics cards are up to 4X faster
Giving creators a quantum leap in performance, AI-powered graphics, more immersive gaming experiences, and the fastest content creation workflows,...
Ten Things I Hate About Social Media Video
Introduction Social media (and social media video) has absolutely grown the market for video professionals, but it’s not all...
disguise teaches Virtual Production in a real-life film environment
If you want to work in Hollywood’s next virtual production, disguise has a course that will teach you how....
IBC pushes filmmaking into The Matrix
Going by the organisation’s own press releases, IBC 2022 has been something of a gift for anyone looking to...
Sony Future Filmmaker Awards, a new awards program for short films
A major new annual awards program for short films, the Sony Future Filmmaker Awards is free to enter and...
Do the different SSD drive formats make a difference in speed?
I have often wondered if the different SSD drives formats really make a difference in speed. Since I’m a...
AVID at IBC2022: your complete guide on the future of workflows
Avid demonstrates the future of collaborative, distributed workflows for post production and TV News at IBC2022 show, and here...
Now you can transcode Blackmagic RAW in the cloud with Alteon.io
Content creators can now save hundreds of hours every year thanks to Alteon.io, an all-in-one hub for professional creatives...
Color Management Part 11: Introducing OpenColorIO
OpenColorIO is a free, open source, industry standard plugin for color management. But if After Effects has a built...
Pushing the Envelope
Introduction Once upon a time, videos came on tapes and then discs. And now they mostly don’t. Along that...
Inspire Media Conference returns to Memphis next week
I’ve posted before about the Inspire Media Conference in Memphis, Tennesee before, in 2019 when it was in its...
After Effects Roundup for August 2022
Adobe MAX 2022 registration is now open. This year’s event is going to be in person and online! Grab...
Call for participants: ACES at Camerimage
Attending Camerimage in Toruń, Poland this November? Want to talk about your use of ACES (the Academy Color Encoding...
The Angry Editor: sometimes the jump cuts are just too much
Welcome to The Angry Editor. For years I’ve teased the idea of The Angry Editor as a regular column here on...