As I’ve been reviewing the new Apple Silicon M1 Max MacBook Pro I’ve reserved most all of my real-world...

My friend Gary Yost is a filmmaker, photographer, software developer, and lover of the natural world with a very...

Shooting with modern digital cinema cameras, at least from a workflow perspective, is objectively better than the film ways...

As immersive technologies change the landscape, one question arises: what can AV producers expect from the metaverse? The VRDays...

When reviewing the new 16-inch MacBook Pro M1 Max the closest competitor as far as form factor goes was...

The Art of the Frame Podcast brings in-depth conversations with the top creators of your favorite films and shows...

Last week Adobe released After Effects 2022, which includes a number of new features that massively improve performance.  I’m...

In this latest “print” edition of my episodes of PVC’s Art of the Frame podcast we’re back talking unscripted...

The year of free, online educational conferences continues to roll along with the 2021 FCP Global Summit running from...

Michael Buday has worked in the film industry for more than 30 years, editing everything from BBC documentaries to...

One incredibly useful thing most non-linear editing applications can do is nest multiple clips within the timeline into one single clip. Some...

Adobe MAX 2021 ran online this last week on October 26-28. Formal releases of Creative Cloud 2022 were announced,...

It’s time for another Adobe MAX which must mean yet another update to Adobe Premiere Pro! Adobe MAX is once again...

I was excited to take delivery of the newly announced MacBook Pro M1 Max last week for some post-production-related...