Learn Assimilate Scratch – Audio Syncing and Basic Conforming
A decade in review at the Editblog
As 2019 winds down it’s hard to believe that another decade is in the books. Thinking about that recently...
UHD Alliance’s “Filmmaker Mode” for TVs will officially launch at CES 2020
Tom Cruise wants you to watch the next Top Gun at home as if you were in the theater,...
Learn Assimilate Scratch Step-by-Step
I’ve used quite a few NLE’s over the years. From D-Vision to Media 100 to Media Composer, Premiere, Final...
Are you performing end of year hard disk maintenance?
This little gem of a tweet tweeted to the surface of Twitter the other day from Richard Taylor (of...
7 free ways to upgrade your filmmaking skills for 2020
The Christmas break is one of those few times you get to step away from urgent things. Why not...
Art of the Cut Podcast Eps. 27 (w/ “1917” Editor Lee Smith, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with Oscar-winner Lee Smith, ACE on “1917”
Lee Smith, ACE won an Oscar and ACE Eddie for cutting Dunkirk. He was also nominated for ACE Eddies...
Let’s Edit with Media Composer – What’s New in 2019.12?
Well, we’re going to round out this decade with the last “Let’s Edit” tutorial and we are going to...
After Effects & Performance. Part 6: Begun, the core wars have…
When we look back over the last 25 years of After Effects’ history, and how its performance has evolved,...
ScreenFlow 9 – In Depth
I’ve been doing tutorials online for a long time now, and I’ve done them on both Mac and Windows,...
PVC’s last minute holiday gift ideas
If you’ve left your holiday shopping for the last days and need a practical present to offer a photographer...
Faking 3D in After Effects
3D is ever present in the motion graphics world. It’s also hard to learn and, occasionally, overkill. That’s where...
Art of the Cut Podcast Eps. 26 (w/ “The Aeronauts” Editor Mark Eckersley)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with “The Aeronauts” editor Mark Eckersley
Mark Eckersley is a London-based editor who has cut features including Dredd, Filth, The Woman in Black 2, and...