F-mount To Z-mount that is what FTZ means. More importantly, FTZ means opening up more than 90 currently available...

One could touch it. You could even look through the camera to see how the lens performed. But, at...

Sound sync is a complex area in filming, and the clapper is still king. Now Ari Krupnik is designing...

Dan May from Blackmagic Design and I had a quick chat about the URSA Mini Pro 4.6K G2. While...

Artemis Prime is a lens-mounted director’s viewfinder like none I’ve ever seen. Chemical Wedding, the company behind Artemis Prime...

Premista, the first large-format cine zoom lens set from Fujinon. ARRI ALEXA Mini LF, Sony VENICE, Canon C700 FF,...

Not too long ago Chinese lensmaker Laowa shook up the industry with the Laowa 24mm f/14 2X Macro Probe,...

It’s big. It’s long. It’s a whole lotta lens. Don’t get cheeky with me. It’s a big lens. At...

The CRLS (Cine Reflect Lighting System) was an original idea by Christian Berger 20 years ago in Austria. Christian is...

Not long ago we showcased the new Pipeline Reflect System from BB&S Lighting, utilizing the same 95 TLCI (3200°K,...

The BB&S Area 48 Color has been designed to set a higher standard for dial-in, full-color as well as...

Teradek had a number of firsts at NAB 2019, but the most significant is arguably the first wireless 4K...

Alex Nelson of Zero Optik seems to always be carrying a rare or newly rebuilt, rehoused, specialty cinema lens...

At NAB 2019, the PVC team stopped by the Sigma booth to explore how Sigma, Leica and Panasonic have...