Last summer I replaced my trusty Sekonic L-758Cine light meter with the new L-858D model. The 858D features a...

The ability to reduce light pollution when photographing the night sky was covered in the first article about NiSi’s...

Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When...

To get a better sense of whether or not the “Solo” live streaming device from LiveU was as reliable...

I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...

If you’re a longtime reader, you have probably seen my articles about the multiple advantages of branded windscreens, as...

The GoPro Fusion is the long-awaited 360 VR camera that shoots a full spherical 5.2k video with seamless stitching...

Editors Will Merrick and Nick Johnson co-edited the film Search, which premiered last weekend at Sundance 2018. Search is...

I’ve been busy enhancing FieldMonitor, my iOS app for wireless camera monitoring and control, and I haven’t come up...

Quasar Science Q-LED tubes have a very popular new lighting option, but oddly enough Quasar doesn’t offer any photometric...

There comes a time in every working filmmakers life where at the end of the day, they have to...

Available for $699.99, the Razer Phone offers an audiovisual experience like no other phone on the market.  RED’s Hydrogen...

What was Congress thinking, passing major tax reform a week before the holidays when there was still some serious...

As promised after teasing it in my recent RØDE NT1 microphone review, here is the RØDE AI–1 interface—preamp and...