We’ve recently released After Effects Apprentice (2nd Edition). The DVD-ROM that comes with the book includes an hour and...

I pulled my first Greenscreen in 1996 working on “Star Wars: Episode 1” pre-viz. The footage was rough (pre-vis...

If you’re familiar with animating text in After Effects, you might glance at Apple’s Motion and think that it...

Most people I know in this industry love new gear. And in the world of desktop video applications and...

First things first. I’m not a musician. I don’t play one on TV. I’d like to be – I...

The articles below were included in the February 2009 edition of the PVC Pipeline | Production newsletter. If you...

The GT35pro meets the RED camera from Scott Simmons on Vimeo. A few weeks ago I was lucky enough...

Introduction: Why Edit in Motion? Many motion graphics projects are built around a video edit which is then enhanced...

Panasonic announced the AG-HPX300, a 1/3″, 3-MOS shoulder-mount P2 camcorder with a 17x Fujinon interchangeable lens (the Euro version...

The job of an editor is usually to spin straw into gold: Take hours of raw footage, edit it...

In my previous RED+FCP article I looked at importing RED clips using Log and Transfer, and focused on using...

In our coverage of CineGear 2008, FreshDV got a peek at an early mockup of Zacuto’s Zwing-away adapter, a...

On the off-chance that we haven’t mentioned this resource before, you definitely need to check out Lowel EDU. It’s...

There’s a brand new version of the audio podcast That Post Show up and online. If you haven’t heard...