The RED One camera and its ability to capture large frame size, RAW-format files has certainly ignited the imagination...

LA-based FCP & Avid editor and bungee jumper Shane Ross posted this tidbit on his Little Frog in High...

October 23, 2008 Dallas, TX – Redrock Micro, the leading provider of cinema accessories for digital filmmakers, today launched...

When we heard that Artbeats were shooting stock footage with their new RED One camera, we were curious to...

In this three-part series of shorts, the film vs. digital argument is presented as a married couple in counseling...

A while back I wrote an article about a spec shoot I did promoting an as-yet unfunded motion picture...

I’ll revisit this next week when I have more time to write (I’m about to go into a four...

Anecdotal reports, and my own experience, have shown me that the RED responds strongly to green light, or to...

After writing 1200 words on the subject immediately following it’s launch at IBC, I interviewed Ikonoskop’s Daniel Jonsater about...

The business end of the HVR-Z5. There were a couple of unexpected surprises at VMI’s mini-Sony show today in...

The US$8320 (street price) Sony PMW-EX3 is an eight-pound, high-definition “chainsaw” camcorder with three 1/2″ CMOS sensors. It’s essentially...

This was the first project shot for California’s No on Prop 8 campaign. In an attempt to reach out...

There’s been a lot of talk about “exposing to the right” in the RED community: instead of relying solely...

Richard Harrington shows you how to use auto-blend to combine multiple exposures or layers in Photoshop CS4 .