Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...

Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...

With the new Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH., Panasonic confirms Micro Four Thirds continues to be cared...

The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted...

At Cine Gear 2019 PVC not only got to see the Fujinon Premista 28-100mm Large Format Cinema Zoom in...

During Cine Gear 2019 PVC took the time to visit with Panavision to learn more about their new LCND...

The use of Artificial Intelligence (AI) for broadcasting applications has moved past in-lab research demonstrations and theoretical constructs, and...

I have covered the intriguing RØDE SC6-L audio interface in prior articles. The SC6-L is unique since it’s so...

Come see me on June 6th at Sim Video in Vancouver, B.C., where I’ll co-present a session on ARRI...

​I have been able to shoot with an incredibly wide range of cameras and optics during my career, but...

A cable connecting your camera to your computer is all you need to shoot tethered. It may be the...

Almost 4 years after Windows 10’s release in 2015, Microsoft has just released its May 2019 update (1903), which...

Canon announced the Sumire Prime lenses in April: seven full-frame cinema primes designed to add “a unique artistically pleasing...

Winner of a VR Award at the Venice International Film Festival in 2018, and soon available on Steam, The...