We had a chance to talk to Sony about the new firmware 4.0 for the Sony VENICE. The big...

According to Panavision, the PanaSpeed lens line-up is a large-format update of the classic Primo look. At T1.4, the...

Sporting t-shirts showing the Cine Gear 2019 attendees how exactly to pronounce Sumire, Canon’s new PL Prime Lens line...

Another year, another Cine Gear. Is there any other show that brings together so many unusual film and video...

Anamorphic. The look. The “texture.” There are times when you cannot replicate what an anamorphic lens can deliver. The...

It was not all about the gear at the Zeiss booth on the Paramount lot during Cine Gear 2019....

Panasonic rolled out the full-frame Lumix S1H at Cine Gear Expo with a presentation, a demo film, and a...

On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not...

Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...

The RØDE Reporter app for iOS is the bridge from several RØDE hardware devices to an iOS or iPadOS...

At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...

Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...

Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...

With the new Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH., Panasonic confirms Micro Four Thirds continues to be cared...