Two desktop computers, three laptops, two monitors and a Windows Mixed Reality headset make the Acer ConceptD brand, designed...

Sometimes, actually, quite often cinematography is about delivering an image with character and art. Lenses can help one achieve...

During NAB 2019 PVC talked to Zacuto about their latest Electronic Viewfinder, the Kameleon and how it fits within...

At NAB 2019 PVC and Nikon talk about their two new mirrorless cameras the Z7 and Z6. There are...

F-mount To Z-mount that is what FTZ means. More importantly, FTZ means opening up more than 90 currently available...

One could touch it. You could even look through the camera to see how the lens performed. But, at...

Sound sync is a complex area in filming, and the clapper is still king. Now Ari Krupnik is designing...

Dan May from Blackmagic Design and I had a quick chat about the URSA Mini Pro 4.6K G2. While...

Artemis Prime is a lens-mounted director’s viewfinder like none I’ve ever seen. Chemical Wedding, the company behind Artemis Prime...

Premista, the first large-format cine zoom lens set from Fujinon. ARRI ALEXA Mini LF, Sony VENICE, Canon C700 FF,...

Not too long ago Chinese lensmaker Laowa shook up the industry with the Laowa 24mm f/14 2X Macro Probe,...

It’s big. It’s long. It’s a whole lotta lens. Don’t get cheeky with me. It’s a big lens. At...

The CRLS (Cine Reflect Lighting System) was an original idea by Christian Berger 20 years ago in Austria. Christian is...

Not long ago we showcased the new Pipeline Reflect System from BB&S Lighting, utilizing the same 95 TLCI (3200°K,...