DJI Launches Lightweight Commercial Video Transmission with Advanced SDR Technology
DJI just launched a new video transmission system to make advanced software-defined radio (SDR) technology more accessible. Designed for...
Crafting the Look of a Lens, Part 2: Making a Modern Vintage Lens
In part one, we looked at how ARRI built a lens with a modern-yet-beautiful look for the future of...
ARRI Signature Lenses, Part 1: Making a Modern Lens
In this two-part series, we’ll first break down the look of an ARRI Signature lens, and then, in part...
New Canon RF Mount for SIGMA 18-50mm F2.8 DC DN | Contemporary Lens
Originally introduced in October 2021, the SIGMA 18-50mm F2.8 DC DN | Contemporary is the first mirrorless-exclusive, APS-C format...
Reviewing The SIGMA 500mm F5.6 DG DN OS | Sports Lens
In my mind, I thought long lenses were long. I thought to frame a detail from across a field...
A History to Blackmagic’s URSA Cine 17K 65 Camera
Back in 2012, Blackmagic had a chip on its shoulder. That year, they announced and shipped their first camera, the Blackmagic Cinema...
NearStream VM46 – 4K wireless multicam streaming at NAB 2024
NearStream just announce the VM46, a 4K wireless multicam live streaming solution at NAB 2024. Key features of VM46...
Announcing The New Blackmagic URSA Cine 12K LF
Blackmagic goes big with its new flagship digital cinema camera, the Blackmagic URSA Cine 12K LF. For the uninitiated,...
Reviewing The New Blackmagic Micro Studio Camera 4K G2
What is great about Blackmagic Design is its ability to build cameras for a specific market niche. Let’s look...
New Zeiss Nano Full-Frame T1.5 Prime Lenses
ZEISS Nano Primes are cinema lenses designed for modern full-frame mirrorless cameras — initially available for Sony E-mount. Lenses...
