Sigma Shows Proof-of-concept 28-45mm T2.0 Cine AF
SIGMA will show off the 28-45mm T2.0 Cine AF Prototype lens at IBC 2024, which has just started in...
Canon Introduces the EOS C80 6K Full-Frame Cinema Camera
Canon introduces its new EOS C80 cinema camera, which has a native RF mount and a full-frame, back-illuminated stacked...
Sony Electronics Unveils HDC-P50A Camera and Control Unit
Sony just launched of the HDC-P50A, a compact and lightweight multi-purpose camera with a 2/3-inch 3-chip 4K image sensor...
New Sigma 28-105mm F2.8 DG DN | Art and RF-Mount SIGMA 10-18mm F2.8
SIGMA announced the SIGMA 28-105mm F2.8 DG DN | Art zoom lens for full-frame mirrorless camera systems. The market...
Viltrox’s New Full-Frame 1.33x Anamorphic Lens Review
Recently, the opportunity to test out Viltrox’s new full-frame 1.33x anamorphic lens came to be. Viltrox is new to...
Tilta Khronos in Depth – Turn your iPhone 15 into a Cinema Camera
With the release of the iPhone 15, Tilta has once again expanded its versatile ecosystem, this time turning the...
Hollyland Pyro 7
The Hollyland Pyro H and Pyro 7 were announced back at NAB 2024 and are now available in the...
DJI Launches Lightweight Commercial Video Transmission with Advanced SDR Technology
DJI just launched a new video transmission system to make advanced software-defined radio (SDR) technology more accessible. Designed for...
Crafting the Look of a Lens, Part 2: Making a Modern Vintage Lens
In part one, we looked at how ARRI built a lens with a modern-yet-beautiful look for the future of...
ARRI Signature Lenses, Part 1: Making a Modern Lens
In this two-part series, we’ll first break down the look of an ARRI Signature lens, and then, in part...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
