Shooting With Fujinon’s New MK18-55mm Cinema Lens
Well well… it appears Fujinon is jumping onto the affordable cinema zoom bandwagon. Today the company announced two new...
Review: Panasonic VariCam LT 4K Super35mm Cine Camera
The VariCam LT is Panasonic’s “affordable” large single sensor VariCam, putting the core of the $55,000 VariCam 35 in...
Panasonic AG-UX180 Single Lens Camera Review
There are four things the Panasonic AG-UX180 wants to be. This camera wants to be a broadcast camera, an...
DaVinci Resolve 12.5 Editing Book Review
I cannot tell a lie. It took me awhile to read the DaVinci Resolve 12.5 Editing book. Captivating prose...
Big Game 2017: Sony slows it down
Slow motion returns to the Big Game this year, but Sony cameras will cover the game at varying frame...
ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC
He is the current President of the American Society of Cinematographers and at times he shoots on the Blackmagic...
Blackmagic Gear Used On Sundance Films
While we are in the full swing of the Sundance Film Festival take a minute to check out all...
ART OF THE SHOT: Christian Sebaldt, ASC
In 2010, Christian Sebaldt, ASC, won a Primetime EMMY and an ASC nomination for his work on “CSI: Crime Scene...
Metabones Intros Cine Style Positive Locking EF – E Mount Adapter
On its fifth anniversary of introducing the original Metabones Smart Adapter, Metabones announced four new products. The four are...
Thunderbolt 3: Now the revolution begins
2500 megabytes per second drives. Dual 4K displays. External PCIe system expansion. Thunderbolt is no longer just a faster...
