ART OF THE CUT with Plummy Tucker, ACE on editing “Destroyer”
Plummy Tucker, ACE, has edited films including Girl Fight, Aeon Flux, Jennifer’s Body, and The Invitation. She was nominated...
ART OF THE CUT with Oscar-winning editor, Chris Dickens, ACE
Chris Dickens, ACE, won the Oscar and an ACE Eddie for Best Editing for Slumdog Millionaire. He was also...
ART OF THE CUT with Oscar-nominee, Tatiana Riegel, ACE
Tatiana Riegel, ACE was last profiled in Art of the Cut for her Oscar-nominated editing of director Craig Gillespie’s I,...
ART OF THE CUT with Oscar-winner Tom Cross, ACE on editing “First Man”
Tom Cross, ACE won an Oscar for Best editing for Whiplash, and was nominated for Oscars and La La...
ART OF THE CUT with the editing team of “Creed II”
Three editors teamed up to bring a cohesive editorial vision to Creed II. Dana E Glauberman, ACE, has previously...
ART OF THE CUT with Oscar-nominated editor, Joe Walker, ACE on “Widows”
Oscar nominated editor Joe Walker, ACE, recently cut the movie Widows for director Steve McQueen. It’s their fourth feature...
Art of the Cut with Oscar-winner, William Goldenberg
William Goldenberg, ACE, won the Oscar for Best Editing for Argo. He received additional Oscar nominations and ACE Eddies...
ART OF THE CUT with Oscar nominee, Jay Cassidy, ACE on editing “A Star is Born”
Jay Cassidy, ACE, has a list of awards that are longer than most editors’ filmographies. He won the ACE...
ART OF THE CUT with Brent White, ACE on “A Simple Favor”
More likely than not, an Art of the Cut interview with Brent White, ACE, would probably be about editing...
ART OF THE CUT with Melissa Lawson-Cheung and Colby Parker, Junior, ACE on editing “Mile 22”
Today’s Art of the Cut is with the editing team for Peter Berg’s thriller Mile 22. Art of the...
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