The Simpsons go live: an exclusive inside look
Adrenaline. High drama. Zero failure tolerance. Beta software. Which one of these things is not like the other? This...
Adobe drastically reduces the trial period of the Creative Cloud suite
Word came down from the Creative Cloud yesterday that Adobe is changing its trial period from 30 days, reducing...
NAB 360º Video Report #1 – Bill Roberts, Adobe Professional Video
360º video report from NAB 2016 featuring an interview with Bill Roberts, Senior Director of Professional Video Product Management...
Videoguys Early Take from NAB Show including Specials and some interesting News
The NAB Show in Las Vegas is always packed with lots of interesting news including product announcements, new industry...
A Closer Look at What’s Coming in the Next Update to Adobe Premiere Pro
Here we are just a few days ahead of NAB 2016 and Adobe has announced what will be coming...
ART OF THE CUT with “Deadpool” editor Julian Clarke
“Deadpool” is one of the biggest films to date to be edited in Premiere Pro CC. Its editor, Julian...
Keying and compositing in NukeX
You’ve seen it before: composited people with hair helmets. If you’ve done any keying yourself, you probably notice it...
ART OF THE CUT on cutting “DEADPOOL” with Premiere Pro CC
Vashi Nedomansky trained a team of Avid editors and assistants for their switch to Premiere Pro for “Deadpool” and...
Gotta cut music to time? Want a free, fast and excellent assistant editor?
Want to see something VERY impressive? Try out the REMIX function of Adobe Audition. Change the length of any...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
