Adobe updates Creative Cloud apps for Apple M1 Macs
Today Adobe unveiled 3rd-party performance benchmarks, The Pfeiffer Report, that shows side-by-side comparisons of Premiere Pro and other Creative...
Moving from AVID to Premiere Pro: How’s 45 minutes sound?
One of the most frustrating things for editors switching software is having to sit through all the newbie, “editing...
ART OF THE CUT on the workflows and methods for editing “Mank”
Our discussion today is with Ben Insler. Ben was the assistant editor on David Fincher’s feature film, Mank, which...
Adobe MAX 2020: Virtual and Free
Registration is open and free for all for Adobe MAX 2020, Adobe’s big creativity conference to be held online October 20...
ART OF THE CUT with Sundance Opening Night doc, “Crip Camp”
Today’s guest on Art of the Cut is documentary editor, Eileen Meyer. In 2016, at South by Southwest she...
ART OF THE CUT about the documentary “The Biggest Little Farm”
Art of the Cut is proud to present an interview with documentary film editor, Amy Overbeck. Amy is the...
ART OF THE CUT with the ACE Eddie winning team of Vice Investigates
In this episode, I’m talking with editor Joe Matoske, ACE, executive producer, Beverly Chase and post-production supervisor Arthur Randell....
ART OF THE CUT with Walter Murch, ACE
In December of 2019, Walter Murch extended me a generous invitation to come see a screening of his documentary,...
Loupedeck CT Review Part 2: Using the CT with Adobe Premiere Pro
This article is part two of my Loupedeck CT review, and the focus here is on using the Loupedeck...
ART OF THE CUT with “Terminator: Dark Fate” editor Julian Clarke, ACE
Julian Clarke, ACE was nominated for a BAFTA, an ACE Eddie and an Oscar for his editing of District...
