Adobe drastically reduces the trial period of the Creative Cloud suite
Word came down from the Creative Cloud yesterday that Adobe is changing its trial period from 30 days, reducing...
Do Away with the Array: RE:Lens for After Effects brings clarity to extreme fisheye scenes
RE:Vision Effects, best known for its Academy Sci-Tech award-winning motion-estimation-based effects including Twixtor and Reel Smart Motion Blur, demonstrated...
Why the Resolve & Fusion integration is a pretty big deal
Blackmagic’s announcement at NAB of integration between Resolve and Fusion may have gone unnoticed by many, but it actually...
NAB 2016 – fayteq and their Matchmoving Plug-in for After Effects fayIN
One new piece of software that I’ve been seeing make its way into my email in-box is a new...
A Closer Look at What’s Coming in the Next Update to Adobe Premiere Pro
Here we are just a few days ahead of NAB 2016 and Adobe has announced what will be coming...
Keying and compositing in NukeX
You’ve seen it before: composited people with hair helmets. If you’ve done any keying yourself, you probably notice it...
AE Project Diary: 1) Lego, Ninjago
The “After Effects Project Diaries” provide inside details and behind-the-scenes accounts of real projects I have worked on. In...
HitFilm 3 Express Special Edition – free for a limited time
Another piece of fun news this week is the latest FREE version of the effects/editor Hitfilm Pro, HitFilm 3...
After Effects CC 2015.1 Update
After Effects CC 2015.1 – also known as v13.6 – is being rolled out today to Creative Cloud subscribers....
After Effects Hidden Gems Weekly: Layer Styles
We use drop shadows all the time in motion graphic design, along with the occasional bevel or glow. The...
Latest
Production
