iClone & HitFilm, tools in the animator’s tool box
The prehistoric animation by Kevin Seid was created with a beta version of iClone7 and HitFilm Pro 2017. The...
Three Variations on Lighting a Single Shot Commercial
I love a challenge, as that’s when I get to do my best work. One of these spots was...
Use Alexa, RED or Canon cameras inside iClone 7
The option to access industry-standard cameras inside the program is just one of the new features introduced by Reallusion...
Explore the EOS 5D Mark IV video functions
If you’re a photographer interested in the video functions the EOS 5D Mark IV offers, take 15 minutes of...
Developing An Awareness of Color
Color awareness came slowly to me, but now I can’t escape it. Read on, and follow me down the...
Anamorphics and Blackmagic’s URSA Mini: NAB 2016
Found in the new UI is the option to turn the 16:9 4.6K Super 35mm sized sensor into a...
LUTCalc: Trials, errors, and a full-range LC709A LUT
After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...
Hacking Alexa’s Rec 709 LUT into a Sony FS7/F5/F55
A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...
Fury Rig: From Mad Max Fury Road to Your DSLR
Although many dismiss DSLRs as serious filmmaking tools, producers of movies like Mad Max: Fury Road use DSLRs as...
The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical
CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...
