Canon EOS 90D: contracting market “marries” EOS 7D with the EOS 80D
Canon introduced the new EOS 90D, a marriage between the EOS XD and EOS XXD lines, putting an end,...
Laowa 100mm f/2.8 2:1 Ultra Macro from Venus Optics is now shipping
The Laowa 100mm f/2.8 2:1 Ultra Macro APO lens looks like any other 100mm Macro lens in terms of...
SLR Magic: seven MicroPrime Cine lenses available now for Fujifilm X cameras
SLR Magic announced their MicroPrime Cine lenses are now also available in Fujifilm X-mount. To the six original lenses,...
Fujifilm X-T3: hands-on review
From the color science to the controls layout, the Fujifilm X-T3 is a great camera that should be high...
The L-Mount Alliance: a new industry standard for full frame and APS-C?
Leica, Panasonic and Sigma join efforts to offer cameras and lenses utilizing the L-mount created by Leica. It looks...
Fujifilm X-T100: 4K at 15fps is for whom?
The new APS-C camera from Fujifilm, X-T100, is a DSLR-style retro camera which offers a new fully articulating LCD,...
Fujifilm X-H1: a serious camera for video
Announced as the highest performance camera in the X family, the Fujifilm X-H1 may be seen as a step...
Review: Panasonic AU-EVA1 4K Cine Camera, part 3
This is part 3 of a three-part review; there’s more in part 1 and part 2 [Updated 8 Jan 2018...
Review: Panasonic AU-EVA1 4K Cine Camera, part 2
This is part 2 of a three-part review; there’s more in part 1 and part 3 Display The LCD monitor...
Review: Panasonic AU-EVA1 4K Cine Camera
Panasonic’s $7,345 AU-EVA1 is a Super35mm single-sensor camcorder with a 5.7K Bayer-mask sensor, an EF lens mount, variable frame...
