Hacking Alexa’s Rec 709 LUT into a Sony FS7/F5/F55
A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...
Fury Rig: From Mad Max Fury Road to Your DSLR
Although many dismiss DSLRs as serious filmmaking tools, producers of movies like Mad Max: Fury Road use DSLRs as...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
In a Parallel Universe, AJA’s Cion is Amazing
RedShark News lives in a world where the AJA Cion is the best thing since sliced bread. In this...
The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical
CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...
After Effects and Alexa – The Expurgated Version
OK so you’ve got some Arri Alexa footage in Log C format, and it looks funny in After Effects....
After Effects and Alexa – Part 2
The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called...
After Effects and Alexa – Part 1
The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called...
