Blackmagic Design’s DaVinci Resolve 12.1 Update Available Now
Blackmagic Design announces DaVinci Resolve 12.1 update immediately available. I’ll detail the avalanche of new features and updates here....
Blackmagic Video Assist Review
With the $459.00 SDI/HDMI Monitor/Recorder does Blackmagic have a hit of a product with the Video Assist on their...
LUTCalc: Trials, errors, and a full-range LC709A LUT
After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...
Hacking Alexa’s Rec 709 LUT into a Sony FS7/F5/F55
A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...
Fury Rig: From Mad Max Fury Road to Your DSLR
Although many dismiss DSLRs as serious filmmaking tools, producers of movies like Mad Max: Fury Road use DSLRs as...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
In a Parallel Universe, AJA’s Cion is Amazing
RedShark News lives in a world where the AJA Cion is the best thing since sliced bread. In this...
The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical
CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...
After Effects and Alexa – The Expurgated Version
OK so you’ve got some Arri Alexa footage in Log C format, and it looks funny in After Effects....
After Effects and Alexa – Part 2
The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called...
