ARRI Orbiter: ultra-bright LED with a variety of optics to choose from
The new LED luminaire Orbiter is, according to ARRI, the most technologically advanced luminaire ever produced for image capture...
Focus ramping: when T-stops go bad
Years ago, while assisting on a sitcom, I helped the director of photography shoot exposure tests on all of...
The secret life of behind-the-lens nets
“What’s with the pattern in the headlights?” I asked the first camera assistant, as I looked through “B” camera...
Quick Look: Signature Primes
ARRI is now shipping Signature Primes, lenses “designed to render organic, emotionally engaging images, gently softening and texturizing the...
ARRI M18 lamphead: limited edition to celebrate the tenth anniversary
ARRI’s extremely compact, powerful M18 daylight lamphead has been used on film sets worldwide for the past ten years....
Cine Gear: The Arri Alexa Mini LF and the Arri “Look”
The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted...
ARRI Signature Prime and Mini LF Event: Sim Video, Vancouver
Come see me on June 6th at Sim Video in Vancouver, B.C., where I’ll co-present a session on ARRI...
SmallHD offers ARRI Camera Control License with Cine 7 monitors
Showcased at NAB 2019, the Cine 7 monitor is designed to work with support for ARRI, RED and Sony...
NAB 2019: Things ‘n’ Stuff
In recent NABs, the back end of Central Hall was filled with LED luminaires from a vast number of...
NAB 2019: ARRI ALEXA MINI LF: A FIRST LOOK
We at PVC got a chance to check out ARRI’S ALEXA Mini LF while we marched around NAB 2019...
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