ARRI Signature Prime and Mini LF Event: Sim Video, Vancouver
Come see me on June 6th at Sim Video in Vancouver, B.C., where I’ll co-present a session on ARRI...
SmallHD offers ARRI Camera Control License with Cine 7 monitors
Showcased at NAB 2019, the Cine 7 monitor is designed to work with support for ARRI, RED and Sony...
NAB 2019: Things ‘n’ Stuff
In recent NABs, the back end of Central Hall was filled with LED luminaires from a vast number of...
NAB 2019: ARRI ALEXA MINI LF: A FIRST LOOK
We at PVC got a chance to check out ARRI’S ALEXA Mini LF while we marched around NAB 2019...
Quantifying the Large Format Look
Large format is no longer out of reach of the average filmmaker, but the look is difficult to quantify....
Arri Announces The Alexa Mini LF – Large Format In A Small Body
A rumor no more. Arri just announced the ALEXA MINI LF. Since Arri’s introduction of the ALEXA LF, the...
Vmicro and Amicro ultra-compact battery packs from bebob at NAB 2019
Producers of batteries since 1995, bebob takes to NAB 2019 its Vmicro (V-mount) and Amicro (gold-mount compatible) 14.4V battery...
Chromatic aberration: hard edges, hue shifts, and storytelling
Accidents yield interesting truths. This is especially true in lens and camera tests, where it’s hard to know what...
Three lenses: a look at bokeh, depth of field and geometry
Some people take time off during the holidays. I borrow a half million dollars worth of camera and lenses...
Film lens vs. digital lens: what are the differences?
I’ve worked with a lot of cameras, and I’ve always come back to ARRI cameras whenever I’ve had the...
