New ASC ARRI Educational Center, the hub to educate next-gen filmmakers
The American Society of Cinematographers will celebrate its 100th anniversary next year, and the new ASC ARRI Educational Center...
NAB 2018: ARRI Shows Off Largest and Brightest SkyPanel with the S360
This is one big light source was my first thought. At NAB 2018 the ARRI SkyPanel quite literally lite...
NAB 2018: ARRI Signature Prime Lenses for ARRI ALEXA LF
ARRI Signature Primes were designed in conjunction with the ARRI ALEXA LF large format digital cinema camera and are meant...
PNW Lens Summit, May 5th, Portland OR USA
Quick note: if you’re coming to Portland OR for the PNW Lens Summit, you can get 20% off lodging at...
The film look: what is it, and why are there two of them?
The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...
Alexa 65 shows that large format TV makes a difference in “Altered Carbon”
I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography....
Split SDI ports, or: how to hack an Arri Mini
“My assistant says it’s impossible,” said the Steadicam operator over coffee at Arri headquarters in Burbank. “The DIT wants...
Teradek RT: wireless lens control for filmmakers
Manufactured in the USA and sold by Teradek, the new product line, known as Teradek RT, is compatible with...
Meet Me at Arri Burbank on January 19th
If you’ve got some time to spare on January 19th, and you’re near Burbank, stop by and see me...
RED Weapon: the last profile for the year
A camera profile for the RED Weapon with a Helium 8K sensor is FilmConvert’s last offer for 2017, while...
