The Filmtools Podcast Eps. 8 (w/ High Speed Cinematographer Peter Cote)
Each week The Filmtools Podcast talks with industry professionals in a candid conversation about their career, relevant news within...
ART OF THE CUT with Oscar-winning editor, Lee Smith, ACE on “Dark Phoenix”
I last spoke to Lee Smith, ACE, when he edited Dunkirk, which won him an Oscar for Best Achievement...
ART OF THE CUT with the editors of “Yellowstone”
The TV show Yellowstone, on the Paramount Network, is directed by Taylor Sheridan. Sheridan also wrote and directed the...
ART OF THE CUT with Oscar-nominated editor Martin Pensa, ACE
In 2014, Martin Pensa, ACE was nominated for an Academy Award for Best Achievement in Editing for Dallas Buyers...
ART OF THE CUT with the editors of “The Marvelous Mrs. Maisel”
The Marvelous Mrs. Maisel is on Amazon Prime Video and is in its second season. Last season, editor Kate...
ART OF THE CUT with Evan Schiff, editor of “John Wick 3”
Evan Schiff started his film industry career at the Stan Winston animatronic studio in 1999 working on such films...
ART OF THE CUT with Jeffrey Ford, ACE, of “Avengers: Endgame”
Jeffrey Ford, ACE and Matthew Schmidt have been collaborating in the cutting room since the first Avengers movie. Back...
ART OF THE CUT WITH “Pet Sematary” editor, Sarah Broshar
Sarah Broshar started as an editorial assistant on Sky Captain and the World of Tomorrow in 2004. Broshar was...
ART OF THE CUT WITH Martin Bernfeld, editor of “Hellboy”
Martin Bernfeld has been editing features for 15 years, including Project Almanac, Paranormal Activity: The Ghost Dimension, Power Rangers,...
ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency”
Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May...
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