ART OF THE CUT with “Rampage” editors Jim May and Bob Ducsay
Editors Jim May, ACE and Bob Ducsay have worked together numerous times, including Deep Rising, The Mummy, and Van...
ART OF THE CUT with Ben Mercer on editing “Unknown Soldier” in FCP-X
Benjamin Mercer has been a feature film editor for more than a decade, after transitioning from a successful high-profile...
ART OF THE CUT with RED SPARROW’s Alan Edward Bell, ACE
This is not my first conversation with veteran editor, Alan Edward Bell, ACE. You can read about the editing...
ART OF THE CUT with documentary editor David Tillman
It’s always a pleasure for me when Art of the Cut focuses on a documentary editor. The role of...
READ ALONG WITH THE OSCARS
Trying to figure who’s going to win Best Editing? Check out these interviews with the editors themselves. Baby Driver...
Congratulations to BAFTA Best Editing Winner
Art of the Cut congratulates Paul Machliss and Jonathan Amos for winning the BAFTA for Best Film Editing for...
ART OF THE CUT with Oscar nominee Tatiana Riegel, ACE
Tatiana Riegel, ACE just won the ACE Eddie for Best Edited Feature Comedy and has been nominated for this...
ART OF THE CUT with Dylan Tichenor, ACE on Phantom Thread
Phantom Thread features a collaboration between editor Dylan Tichenor and director Paul Thomas Anderson. They had previously teamed on...
ART OF THE CUT: Cutting The Post simultaneously with Ready Player One
When editors talk about the long-term “marriages” between a director and their editor, the discussion probably centers around three...
ART OF THE CUT: Editing the ACE nominated Molly’s Game
Aaron Sorkin has long been known for great writing and smart TV drama. On Molly’s Game, he steps into...
