ART OF THE CUT – Cutting “Wonder Woman 1984” with Oscar-nominated editor, Rick Pearson, ACE
Rick Pearson, ACE has been nominated for an Emmy, a BAFTA, multiple ACE Eddies, and an Oscar. He has...
ART OF THE CUT – 2020 Recap – A Crappy Year, but in Brilliant Editing Quotes
2020 for me included a half-million words of editing wisdom from some of the best editors and most exciting...
ART OF THE CUT with Oscar nominee Andrew Mondshein, ACE on editing “Ma Rainey’s Black Bottom”
Today on Art of the Cut we’ll be hearing from Andrew Mondshein, ACE, who edited the recently released Netflix...
ART OF THE CUT with Harry Yoon, ACE, editor of Oscar contender, “Minari”
Today, I have the pleasure of interviewing Harry Yoon, ACE again. We last spoke about his editing of The...
ART OF THE CUT on the workflows and methods for editing “Mank”
Our discussion today is with Ben Insler. Ben was the assistant editor on David Fincher’s feature film, Mank, which...
ART OF THE CUT with Gabriel Rhodes on editing the doc “Time”
Today, I talk with Gabriel Rhodes about a feature documentary that has Oscar buzz – Garrett Bradley’s Time. Gabriel’s...
ART OF THE CUT with “Hillbilly Elegy” editor, James D. Wilcox, ACE
In this interview, James D. Wilcox, ACE discusses editing Ron Howard’s new film Hillbilly Elegy, which is available now...
ART OF THE CUT with Mike J. Nichols, editor of the documentary “Zappa”
Today I’m talking with Mike J. Nichols about editing the documentary Zappa. He’s edited a lot of documentaries including...
ART OF THE CUT with Adam Bosman, editor of “Enola Holmes”
Art of the Cut this week is with Adam Bosman, editor of the feature film Enola Holmes, which is...
ART OF THE CUT with the editors of Ted Lasso – Melissa McCoy and A.J. Catoline
Today we’re talking with Melissa McCoy and A.J. Catoline, editors of one of my favorite shows – Ted Lasso...
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