“Whiskey Tango Foxtrot” co-director Glenn Ficarra on editing
Glenn Ficarra and John Requa have co-written numerous feature films, including “Bad Santa” “The Bad News Bears,” and “Focus.”...
ART OF THE CUT with MARGARET SIXEL, editor of “MAD MAX: FURY ROAD”
This year’s Best Editing Oscar went to Margaret Sixel for “Mad Max: Fury Road.” Sixel worked on the project...
ART OF THE CUT: JAN KOVAC CUTS “WHISKEY TANGO FOXTROT” ON FCP-X
Jan Kovac started his editing career re-editing shows, like HBO’s “The Sopranos” from their original HBO broadcast down to...
ART OF THE CUT with Lee Smith on cutting 007’s “Spectre”
Lee Smith, ACE, most recently cut the Bond flick, “Spectre” but has also cut “Master and Commander,” “Batman Begins,”...
ART OF THE CUT with “Deadpool” editor Julian Clarke
“Deadpool” is one of the biggest films to date to be edited in Premiere Pro CC. Its editor, Julian...
ART OF THE CUT with Steve Mirkovich, ACE, editor of “RISEN”
Steven Mirkovich, ACE has edited over 40 pictures that include “Big Trouble in Little China” and “Con Air.” Steven...
ART OF THE CUT on cutting “DEADPOOL” with Premiere Pro CC
Vashi Nedomansky trained a team of Avid editors and assistants for their switch to Premiere Pro for “Deadpool” and...
ART OF THE CUT with “Straight Outta Compton”‘s editor Billy Fox
Billy Fox, ACE has numerous Emmys nominations for his editorial and producing work and won an Emmy as a...
ART OF THE CUT with the editors of “Star Wars – The Force Awakens”
Maryann Brandon and Mary Jo Markey have a long and fruitful collaboration with the prolific J.J. Abrams. The team’s...
ART OF THE CUT with Dan Hanley, ACE and Mike Hill, ACE of “In the Heart of the Sea”
Ron Howard has trusted the editing of all of his films to the long-time team of Dan Hanley, ACE...
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