Art of the Shot: Mindhunter cinematographer Erik Messerschmidt
Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera...
Art Of The Shot: “Menashe” Cinematographer Yoni Brook
In this version of Art of the Shot, I had the opportunity to talk to “Menashe” cinematographer Yoni Brook....
This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh
Andrij Parekh is an NYU’s Tisch School of the Arts (MFA in 2001) trained cinematographer. It was there that...
Art Of The Shot: Jody Eldred Emmy Award-Winning DOP and Director
In this version of the “Art of the Shot” I talk to Jody Eldred who is an Emmy award-winning Director of...
ART OF THE SHOT: “Atlanta” DP Christian Sprenger
In this edition of the Art of the Shot, I had to opportunity to talk to “Atlanta” Director of...
ART OF THE SHOT: 2nd Unit DP Jacques Haitkin “Kong Skull Island”
If you are a fan of the 1984 hit horror film “A Nightmare On Elm Street” then you have...
ART OF THE SHOT: “Bad Santa 2” DP Theo Van de Sande
One of Theo Van de Sande most recent films was the second edition of the Bill Bob Thorton film...
ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC
He is the current President of the American Society of Cinematographers and at times he shoots on the Blackmagic...
ART OF THE SHOT: Christian Sebaldt, ASC
In 2010, Christian Sebaldt, ASC, won a Primetime EMMY and an ASC nomination for his work on “CSI: Crime Scene...
Shooting in the Arctic with “Tested” DP Joey Fameli
It is not often the call to head to the Arctic is dialed. For DP and Lead Producer of...
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