RØDECaster Pro-an unappreciated gem for LIVE production
The ideal tools for LIVE production and broadcast are often different from those used for the opposite production process,...
Tascam US–2X2 preamp/A-D converter interface review
The Tascam US-2×2 is an audio interface which offers two mic preamps/A-D & D-A converters. Those two mic preamps...
Chromebook/ChromeOS audio production: a maturing platform
In several past articles, I have reviewed and provided workflows for Auphonic (the apps), Cleanfeed Pro and Hindenburg Journalist...
How to fix bad dialogue using EQ
Equalization is one of the most crucial steps in taming a soundtrack. It’s also the step at which most...
Sennheiser Memory Mic: the “wireless” mic/body recorder review
The Sennheiser Memory Mic is a “wireless” mic/body recorder that auto-synchronizes audio that it records with the companion app...
RØDECaster Pro audio console-first look
The Australian microphone manufacturer RØDE has just announced its new RØDECaster Pro audio integrated console for live or live-to-drive...
4 automatic audio mixers ≤US$1000 cure bleed/spill/crosstalk
Have you been disappointed when your audio quality drops exponentially as you add more microphones with a talk show,...
Hindenburg Journalist Pro, the multitrack editor made for audio storytellers
In BeyondPodcasting episode 9, Allan Tépper covers his favorite multitrack editor for audio storytellers, Hindenburg Journalist Pro. His remote...
Compression: the editor’s secret weapon for taming audio
Far too many editors are afraid to touch audio tools like parametric EQ and compression. It’s unfortunate, since the...
9 reasons why the RØDE SC6-L is radically different from the SC6
After publishing my first-look article called RØDE SC6-L: a game-changer for compact 2-track recording on iOS devices, I have...
