Review + comparison: iRig Pro I/O cross platform audio interface
In this article, I’ll review the new <US$150 iRig Pro I/O cross platform audio interface, with preamp and A-to-D...
Review: MixPre-3 audio recorder/mixer from Sound Devices
As soon as Sound Devices announced the new MixPre-3 audio recorder/mixer, I requested it for review. Ahead I’ll tell...
Introducing Vegas Pro
Vegas Pro is a comprehensive, all in one post production “must have” NLE companion with everything you need to...
My multitrack crossgating audio workflow to eliminate crosstalk
Perhaps the most efficient way to resolve the problem of crosstalk in multiple microphone recordings is to use a...
Review: AT875R shotgun mic & AT8415 shockmount from Audio Technica
Most people think about using a shotgun mic for dialog, and mainly outdoors. However, the US$169 AT875R from Audio...
iRig Pro I/O: first look at IK’s latest cross platform audio interface
Today IK Multimedia launched its latest cross platform audio interface, the <US$150 iRig Pro I/O. An apparent successor to...
The MIT debate between 48 and 44.1 kHz audio sampling that hasn’t taken place (yet)
On May 30, I received an email invitation to debate the virtues of 48 vs 44.1 kHz audio sampling...
ModMic 5 and RØDE HS2: comparing two head microphones
For many years, I have been intrigued with microphones, and one particular type is the head mounted variety. Few...
Auphonic iOS Recorder 1.2 is a quantum leap improvement
In July 2016, I wrote a detailed article, where I made a complete list of wonderful features of the...
The K-Tek Boom Box doubles as an Apple Box
It’s a strong and versatile microphone boom stand, but when needed it doubles as an Apple Box, able to...
