The Post Podcast Episode 8
In this weeks show, we look at news & views from the week ending Nov 17th, 2013. Kevin talks...
Will Read: An Integrated Approach to Filmmaking
“Better tools are allowing films and videos to be finished by fewer people who have greater control, resulting in...
Why Manuela returned to FCP after loving Premiere Pro CS6?
A year ago, professional editor Manuela Santana abandoned FCP X and migrated to Premiere Pro CS6, but has just...
Creative Uses of the Range Tool in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training explores the Range tool in Final Cut Pro X. The...
How to adjust audio levels with Blackmagic cameras
As several people begin receiving Blackmagic’s Pocket Cinema cameras, many begin to ask me how to deal with their...
Darren Orange moves from role-playing games to feature filmmaking
Reactor 88 is an independent production company based near Chicago with a unique focus on creating films based on...
Ríchard Izarra covers my book launch with his Canon XA20
Last night, Ríchard Izarra of PRODU quite unexpectedly materialized in Miami to cover my dual book launch (The Castilian...
The Sound of “Gravity”
Here's an exceptional behind-the-scenes featurette that talks about the sound and foley work in Gravity. One interesting note…the Foley...
Free webinars/hangouts after upcoming book launch
The official launch of my new books, The Castilian Conspiracy and its “fraternal twin”, La conspiración del castellano will...
Audio standards and Adobe Loudness Radar
Recently here on PVC, Woody Woodhall discussed The CALM ACT (Commercial Advertisement Loudness Mitigation), asking “Why Is The US...
