A Brief Introduction
Iʼm thrilled with this opportunity to create a discussion with the Pro Video Coalition members about my passion –...
Animating to Sound with After Effects
Although video/film types sometimes say that “sound is half the experience“, sound and music are often an afterthought in...
Make Dual Mono work between FiLMiC Pro and FCP X 10.0.8 & 10.0.9
As I have covered in several recent articles and videos, it is now possible to record “stereo” 48 kHz...
Scruffy.TV transforms workflow with Adobe Creative Cloud
Ambitiously aiming to lead the media revolution, Scruffy.TV creates custom content and is building a full, online network that...
ENG mic comparison: Audio Technica BP4002 versus Electro-Voice RE50N/D-B
In this short video, we compare the sound quality of the popular Electro-Voice RE50N/D-B and the Audio Technica BP4002...
FiLMiC Pro 3.3 adds external audio monitoring + remote
I am delighted to see that FiLMiC Pro’s palindromic upgrade to version 3.3 finally includes external live audio monitoring...
Secret Clip Selections in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training and I share a couple of tips for selecting...
Roland DUO-CAPTURE EX US$199 field audio mixer for iPad
The US$199 DUO-CAPTURE EX from Roland (like the excellent hybrid microphone I’ve applauded in several articles and ebooks) connects...
Subframe Audio Editing in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to edit audio “within the frame”...
Headphones: a few resources
The secret of the search for perfect sound is that it never ends. In many cases, you might find...
