CMG Hidden Gems: Chapter 36 – Working With Audio
We’re going through our book Creating Motion Graphics with After Effects 5th Edition (CMG5) and pulling out a few...
Review: Roland OCTA-CAPTURE 8/10-channel USB 2.0 audio interface
Many of the affordable pro audio interfaces that are available on the market have a maximum of two balanced...
A Sound Solution to HDSLR Audio
It seems everyone wants a piece of the HDSLR pie, and Sennheiser USA is no exception. With Rode microphones...
Is This The New Model of Financing Your Project?
Sponsored movies of the 70?s and 80?s were the precursor to Branded Entertainment, and it’s a major way of...
Korg IMS-20 Tutorial 3: Sequencing for Synth and Drum tracks
In Tutorial 1, we struck a glancing blow at the step sequencer by showing where it is and how...
Audition: Made for Video (Part Two)
In Audition: Made for Video Part One, I demonstrated how developing a workflow can save you time and money...
Using Audition with After Effects
As you can see from recent articles on PVC, Adobe is anxious to make you aware that they have...
Audition: Made for Video (Part One)
Adobe recently released Production Premium CS5.5. With this new release, there are some amazing new features designed specifically for...
After Effects Apprentice Free Video: Managing Audio Levels
As we mentioned earlier, we've been busy this year creating an extensive, multi-course video training series based on our...
Larry Carlton Markets Recording Sessions as Though They Were Japanese Action Figures.
Background It used to be that high setup costs and low unit costs meant that a widget for sale...
