Day 10 #28daysofQuickTips 2018 – Using Final Cut Pro X as the ultimate sound effects and music browser
There was a Facebook post in an Avid editing group the other day that reminded me of one of...
Day 6 #28daysofQuickTips 2018 – The Usage tab in Avid Media Composer
Many Avid Media Composer editors rarely travel to their Project panel beyond opening bins and accessing they settings. But there’s...
Day 5 #28daysofQuickTips 2018 – Mute Clips in the Media Composer timeline
Following along with yesterday’s QuickTip to move clips up and down in the Avid Media Composer timeline, here’s another recently...
Day 4 #28daysofQuickTips 2018 – Move Up Move Down in Media Composer
Premiere Pro (and okay maybe Final Cut Pro 7 Classic editors if there are any really still out there) editors...
AJA and Avid develop Avid Artist | DNxIP
Avid Artist | DNxIP enables broadcasters and large post-production facilities to benefit from the flexibility and efficiency of video-over-IP....
In Depth – Sapphire 11 AVX from Boris FX
Never has it been a better time to be an effects and visual effects geek like me. Boris FX...
REVIEW – BCC 11 for Media Composer
There are some certainties in the industry we work on, and one of them as become the yearly (or...
You can watch an archive of the #AskAvid – An Evening With Avid event
On Thursday evening, October 12th Avid partnered with Keycode Media for a Facebook livestream event called #AskAvid – An Evening...
The one feature from VEGAS Pro I want in my other NLEs
I’ve been able to sit down and play around with MAGIX VEGAS Pro a bit over the last few...
CREATING YOUR OWN DCP’S – MEDIA COMPOSER SETUP
In our introductory article, I tried to get you thinking about the journey you’re about to go on, when...
