Avid updates Media Composer, lays out the future at NAB Show 2018
I was teaching NAB Post|Production World classes on Saturday morning of NAB 2018 when Avid’s new CEO Jeff Rosica...
ART OF THE CUT with Ben Mercer on editing “Unknown Soldier” in FCP-X
Benjamin Mercer has been a feature film editor for more than a decade, after transitioning from a successful high-profile...
Hindenburg adds -14 LUFS & Avid Pro Tools interoperability at NAB 2018
Hindenburg has just informed me officially that at NAB 2018 next week, they’ll be announcing a few new key...
ART OF THE CUT with RED SPARROW’s Alan Edward Bell, ACE
This is not my first conversation with veteran editor, Alan Edward Bell, ACE. You can read about the editing...
ART OF THE CUT: Spencer Averick, ACE on A Wrinkle in Time
Spencer Averick, ACE has a filmography going back over a decade. His work with his A Wrinkle in Time...
Day 4 #28daysofQuickTips 2018 – Move Up Move Down in Media Composer
Premiere Pro (and okay maybe Final Cut Pro 7 Classic editors if there are any really still out there) editors...
ART OF THE CUT with Dylan Tichenor, ACE on Phantom Thread
Phantom Thread features a collaboration between editor Dylan Tichenor and director Paul Thomas Anderson. They had previously teamed on...
ART OF THE CUT: Cutting The Post simultaneously with Ready Player One
When editors talk about the long-term “marriages” between a director and their editor, the discussion probably centers around three...
ART OF THE CUT: editing Grand Tour and Top Gear with Dan James
One of the most popular shows on the planet was the BBC’s Top Gear. When that show left the...
ART OF THE CUT on editing JUMANJI: Welcome to the Jungle
When you’re discussing editing of a tentpole movie with a lot of VFX, tons of footage and a tight...
