ART OF THE CUT with editor Andrew Weisblum, ACE on “Alice Through the Looking Glass”
You can’t pigeon-hole Andrew Weisblum, ACE. Each project is so different from the next: “The Darjeeling Limited,” “The Wrestler,”...
An Avid DS for free: Fusion Connect turns your Avid into a finishing powerhouse.
Blackmagic just announced a free live link from Avid Media Composer to Fusion free or Fusion Studio, their high-end...
ART OF THE CUT with editor Leo Trombetta, ACE of “Mad Men” “Narcos” “Roswell” and “Luck”
Leo Trombetta, ACE has professional credits dating back into the mid 1980s and has been in the editor’s chair...
ART OF THE CUT with Kate Sanford, ACE editor of “Boardwalk Empire” and “Vinyl”
Editor Kate Sanford, ACE, has been working as a professional in post since 1987 and has been in the...
ART OF THE CUT – with “Captain America: Civil War” editor
Editor Jeffrey Ford, ACE has been cutting films as an editor since 2000 with “The Yards.” And also cut...
Media Composer 101 – Lesson 20 – Basic Transitions
In this lesson, Kevin P McAuliffe goes back to basics and continues his talk about editing in your Media...
ART OF THE CUT with the editor of “The Jungle Book,” Mark Livolsi, ACE
Editor Mark Livolsi, ACE, started out as an apprentice editor on “Wall Street” (1987), moving up through the ranks...
Videoguys Early Take from NAB Show including Specials and some interesting News
The NAB Show in Las Vegas is always packed with lots of interesting news including product announcements, new industry...
Avid Connect 2016 Keynote at NAB 2016
Here we are at the Avid Connect 2016 event at the Wynn in Las Vegas. This is the third...
ART OF THE CUT with Oscar winning editor: Martin Walsh
In the Art of the Cut interview series I’ve had the pleasure to interview several Oscar-winning editors. This one...